A documentary on Britain's Channel 4 yesterday looked at airport security. Journalist Andrew Gilligan cited all manner of weaknesses in airport security at British airports, and in one scene demonstrated how easy it could be to smuggle a liquid explosive aboard.
Although there was a degree of journalist's sensationalism about this particular scene, what was notable from an ethical perspective was the demonstration of simplicity with which such an explosive devise could, apparently, be made and smuggled onto an aircraft.
In an attempt to highlight (which may be a euphemism for 'sensationalise', depending on one's perspective) a security weakness, the programme makers added a sense of mysteriousness to the liquid explosive. Showing two small bottles of innocuous-looking liquid being poured into a larger bottle, we were told that the ingredients were relatively ordinary, clearly suggesting that they could be acquired by anyone. The trick was, of course, to know what those liquids were.
Viewers' suspense was heightened when the demonstrator said that, although relatively ordinary, he would not give away the secret of the contents of the bottles. As if to say it would be unethical to do so, because then anyone so inclined could build their own small explosive devise. But perhaps one should question the ethics of demonstrating the ease with which a liquid explosive could be made in the first place?
Clearly we do not believe that any determined terrorist will find it difficult to get hold of the ingredients, but to suggest that by actively withholding details of the ingredients from the television documentary is somehow an act worthy of upholding is itself notable. We know from Robert Hauptman's famous experiment of the 1970s that reference librarians would not refuse on ethical grounds to provide information guidance to those seeking to make explosives, so why not provide information guidance on a television documntary?
Perhaps it has something to do with the size of the audience and the likelihood that there would be opportunistic 'terrorists' watching the documentary. And we could suggest that the social environment of a British television audience in 2008 is different to that which existed in the US when Hauptman did his experiment. Perhaps, however, this is an example of an ethical dilemma facing journalists and librarians alike.